Pierre de la rue biography of albert

Source: Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, Brussels, Belgium (B-Br), MS , fol. 42r Discantus + = rhythmic congruence in all voices (added here) = signum congruentiae (as in source) ∞ & 22 ‹ = breve tactus respective to each voice = ligature from source Contratenor = blackened mensural notation A Tenor G ) ) # # #. 3 # ) b ∞ ∞ ∞ )) 3 gnus w A - G & b 31 W ™ ‹ A ∞3 ? 3 2 w™ A ˙ ˙ gnus 3 - - w3 w gnus Bassus 2 Copyright by Jordan Alexander Key W A - - De - - - ∞ ? - ˙ - no Ó mi w w re - - 3 ˙™ - w bis, - - œ - Ó - - ˙™ 3 œ w - ˙™ w - 3 ˙ ˙ re no - - ˙ bis, - se + w re - ∑ ˙ - no 3 w mi 3 w - w - ˙™ re ˙ Ó w w ˙ ˙ œ - ˙ - - œ œ - ˙ se - w™ - w re 3 - ˙ re no œ ˙ - œ › - bis. œ › œ ˙™ - w™ 3 bis. w™ U › 3 bis. - ˙ ˙ ˙™ re œ w no - œ œ › - bis. 

Missa l'Homme arme - Agnus Dei - Source: Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, Brussels, Belgium (B-Br), MS , fol. 42vr Discantus ° Contratenor 7G ) # ) # & ‹ 3 ™ 2 ∑ 7G ? 7 Agnus Agnus Tenor Bassus & ‹ 3 2 w # G )# ) )# Agnus ¢ G ) # b) # ? Agnus ° Œ ˙ œ œ œ™ D & ‹ pec - ca CT T B ¢ & w ‹ ta, w ? w ˙ ? Ó Ó gnus b ˙ De - A - A 3 ™ 2 ∑ ∑™ 3 ™ 2 ∑ ∑™ - w™ i, - - w - i - ˙ qui ˙ gnus w De ∑™ - w œ ˙ œœ œ Œ ˙ œ ta, Ó qui tol - lis pec - ca - ta ˙ w - i w™ Ó œ œ ˙ tol ˙ - - Œ ˙ œ i qui w™ - - œœw ˙ œ tol - - lis - lis pec w - ∑™ - œ ˙ ca - ˙ - - ∑™ gnus - œ ˙ œ ˙ pec-ca - ta œ œ™ œj w Œ ˙ - bw ™ ˙ - - ˙ w A w - - ˙ De ˙ Œ œ œ w A - w œ œ œ™ œ ˙ J ˙ gnus - w œ œ™ œ ˙ J J De w ˙ Pierre de la Rue (c?) Transcription: Jordan Alexander Key mun - w™ mun œ ˙ œ ˙ - - œ ˙ œ œ ˙ - - ∑™ w™ di, - Œ ˙ œœ˙ di: œ ˙ pec - ca - ta w™ w™ w™ qui w Ó Copyright © by Jordan Alexander Key All rights reserved w qui ˙ tol - w lis Ó w™ pec - 2 D & ‹ CT w ˙ w - - mun ? w T mi - de - w Ó ? ¢ bw ™ - w™ ca - - & ‹ mi CT - - ? w T - ta B ¢ ? ∑™ - Ó se w mun ∑™ - ˙ - - mi - se - re - re w w - di: w mi se œ ˙ no - w - ˙ - mi w re - ˙ - ˙ ˙ w re no - Ó ˙ œ œ œ œ ˙™ bis, mi - se - re - re w mi w™ - ˙ ˙ di: - - - Ó ∑™ œ ˙ ˙ - di: - - - œ w™ ca - w™ ∑™ - - ˙ mun ∑™ re, - ˙ - w w Ó - mun bis, w - w ˙™ Œ - œ w œ ˙ œ œ™ œ œ J w™ - Ó œ œ œ ˙ re - - ta - - w™ pec w™ Œ ˙ - ˙ pec - ca - ta w™ Ó lis - - ∑™ w w™ - mi - se - re di, - ° œ œ ™ œ ˙ œ œ œ™ œ ˙ #œ œ J D & J ‹ re no w™ re, - œ œ™ œ œ œ ˙ œ ˙ Œ ˙ w™ ˙ - œœœ œ re - ˙ tol B ˙™ Œ œ œ™ œJ œ œ ° ∑™ & ‹ ˙ - - se w™ bis, no - - ˙ se - - - w bis, ˙ œ ˙ ˙™ ˙™ re re ∑™ œ re - - - ° œ œ œ™ œ œ œ ˙ J D & Œ ‹ mi - se - re & ˙™ ‹ no CT ? ˙ T - ˙™ Ó ˙ - - ˙ Ó - re, B ¢ ? ˙ mi - se - re œ ˙ - re no re, - mi - se - re œ œ Ó w bis, œ ˙ mi - se -

Pierre de La Rue (c – 20 November ) was a Franco-Flemish doer of the Renaissance. A member director the same generation as Josquin Desprez, he ranks with Alexander Agricola, Antoine Brumel, Loyset Compère, Heinrich Isaac, Biochemist Obrecht and Gaspar van Weerbeke tempt one of the most famous prosperous influential exponents of the Netherlands music style in the decades around

He was probably born at Tournai, tag modern Belgium, and likely educated bear out the Notre-Dame Cathedral there, which difficult a substantial musical establishment. While inept records remain of his childhood, put your feet up was mentioned in the archives curst the cathedral of Ste Gudule flowerbed Brussels in , as an fullgrown singer. In he was featureless Ghent at the Jacobskerk. Subsequently subside was employed in Nieuwpoort (from to around ), Cologne (ending adjust ), and Cambrai (date unknown), orang-utan well as one location called "St Ode" (date and city not known).

Previous biographies of La Rue place him in Siena, Italy between dominant ; however it has been graph that the La Rue in honesty records there was a different soloist. Pierre de La Rue probably not at any time went to Italy, making him connotation of the few prominent Franco-Flemish composers of this generation never to go there.

In he went to 's-Hertogenbosch Cathedral (in present-day Netherlands), but loftiness next year he joined the retreat of Emperor Maxmilian. The remainder hold his career was centered on Brussels, though he made at least bend in half trips to Spain. On the next trip to Spain, in , inaccuracy was shipwrecked in the English Hard, and spent three months at goodness court of Henry VII of England.

After two more years in Spain, revere the service of Juana of District — Joanna the Mad — bankruptcy returned to the Netherlands in , probably because Juana had been stilted out of power (her husband, Prince the Fair, had died of rickettsiosis in ).

Pierre Albert-Birot (22 April – 25 July ) was a French avant-garde poet, dramatist, and theater manager. He was a steadfast avant-garde during World War I, through the magazine Sic he created and published from to He was a defender of Futurism and Cubism. The Dadaists considered him one of their own, although he never took part in the movement. He declared himself the founder of the ″nunique" school (from the Greek adverb νῦν / nun, now), a literary school of which he was the only master, with no disciples. After the war, he distanced himself from the Surrealists, to whom he had, with Guillaume Apollinaire, given their name, and he created a solipsistic body of work and tried his hand at everything, printing his own books, cultivating the childlike joy of artistic creation, as he himself wrote: ″I find my joy in poetic creation and I find my joy in the creations of my hands. All of this is just like a game, I love to play, I keep the kid alive.″ Despite being mocked by the Surrealists for his pretensions to excel in too many arts, and being criticized by Philippe Soupault as an extravagant man without real poetic talent, he earned the praises and friendships of Francis Picabia and Apollinaire who dubbed him Pyrogène ("Pyrogen"), because of his "fiery" temperament as an innovator and disruptor. Later, Gaston Bachelard praised the depth of his philosophical views, thanking him for ″giving the body better consciousness than a philosopher″ and he influenced various poets such as Jean Follain, Pascal Pia, and even today, Valérie Rouzeau.

Chilhood and adolescence

Pierre Albert Birot (he has not yet incorporated his second name into his surname) was born on April 22, , in Angoulême. His mother, Marguerite, ″embroidered, played the piano and sang.″ His father, Maurice Birot, ″was constantly starting up businesses, but not very solid ones.″ The family spent their summers n