Gian lorenzo bernini biography summary worksheet answers

Gian Lorenzo Bernini Research Paper

  • 1. Gian Lorenzo Bernini Research Paper Gian Lorenzo Bernini was a renowned Italian sculptor in the 16th and 17th century. His first works were inspired by antique classic sculpture, but he later became influenced by the Counter– Reformation, a movement within the Catholic Church that decided the arts should communicate religious themes (New World Encyclopedia). Using primarily marble, Bernini created dynamic, large–scale sculptures that were meant to be viewed from all sides, to add a dimension of energy and movement to his pieces. He also used light manipulation to dramatically alter the mood of a piece ("Gian Lorenzo Bernini Style and Technique"). Bernini, continuously being inspired by his cultural upbringing, created pieces that centralized around religion. By utilizing ... Get more on HelpWriting.net ...

  • 3. Humanism In Art Art: the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power (Stevenson & Lindberg, 2010). Art takes many forms, such as paintings, drawings, sculptures, and collages, and within each form exists different genres or classifications. The early history of art, or art created within the fourteenth to nineteenth centuries, can fall into five major periods: Renaissance, Baroque, Rococo, Romanticism, and Realism. The first of the five major art periods, the Renaissance period, occurred between the thirteenth and sixteenth centuries and started within Florence, Italy. It later spread throughout the rest of Europe. Renaissance art, aimed at rebirthing classical culture, contains defining characteristics such as the theme of humanism, a more realistic portrayal of subjects due to advances in perspective, and depictions of prominent religious figures (Magic Web Solutions UK, 2015). In regards to the birth of humanism in art, "There is now
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    The Baroque master animated 17th-century Rome with his astonishing sculpture and

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    Gian Lorenzo Bernini was a highly influential Baroque sculptor and architect who transformed 17th century Rome. Through his commissions from eight popes, Bernini designed churches, fountains, and other landmarks that gave the city its Baroque grandeur. Despite his artistic stature, Bernini is only now receiving his first major American exhibition, which focuses on his portrait busts - a genre where he demonstrated his talent at a young age by carving lifelike faces in stone. The exhibition aims to present an intimate view of Bernini's work while avoiding the impracticality of transporting his larger sculptures.

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    Gian Lorenzo Bernini was a highly influential Baroque sculptor and architect who transformed 17th century Rome. Through his commissions from eight popes, Bernini designed churches, fountains, and other landmarks that gave the city its Baroque grandeur. Despite his artistic stature, Bernini is only now receiving his first major American exhibition, which focuses on his portrait busts - a genre where he demonstrated his talent at a young age by carving lifelike faces in stone. The exhibition aims to present an intimate view of Bernini's work while avoiding the impracticality of transporting his larger sculptures.

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    Gian Lorenzo Bernini was a highly influential Baroque sculptor and architect who transformed 17th century Rome. Through his commissions from eight popes, Bernini designed churches, fountains, and other landmarks that gave the city its Baroque grand

    Gian Lorenzo Bernini

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    "Bernini" redirects here. For other uses, see Bernini (disambiguation).

    Italian sculptor and architectTemplate:SHORTDESC:Italian sculptor and architect

    Gian Lorenzo (or Gianlorenzo) Bernini (, US EnglishUS, Italian: [ˈdʒan loˈrɛntso berˈniːni]; ItalianGiovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful...." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.

    As an architect and city planner, he designed secular buildings, churches, chapels, and public squares, as well as massive works combining both architecture and sculpture, especially elaborate public fountains and funerary monuments and a whole series of temporary structures (in stucco and wood) for funerals and festivals. His broad technical versatility, boundless compositional inventiveness and sheer skill in manipulating marble ensured that he would be considered a worthy successor of Michelangelo, far outshining other sculptors of his generation. His talent extended beyond the confines of sculpture to a consideration of the setting in which it would be situated; his ability to synthesize sculpture, painting, and architecture into a coherent conceptual

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