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Toni Anderson's Blog: Toni Anderson, page 48


Just over a week away until the release of my next book and I thought I'd post a scene from the first chapter. This is where we first meet our intrepid hero, Finn Carver, along with his boss, Thomas Edgefield. Hope you enjoy!

***Warning--contains some bad language***
DANGEROUS WATERS




C H A P T E R 1Present Day
Finn set out the dive flags and made sure the lights were on.Anchors secure. “Ready?”   His boss nodded and did a final equipment check.   Finn handed him a dive light. “Don’t turn it on yet.” Heglanced around the rocky cliffs that surrounded the shelteredcove. The outcrops were topped with craggy pines and Douglasfir. Crow Point—it was remote and sparsely populated, no chanceof rescue should things go pear-shaped.   It was creeping toward dusk and would be full dark when theycame back up. He was in charge of dive safety and dive training atthe local marine lab, and it went against every principle not to havea surface crew on a dive this dangerous.   Conditions were perfect.   On the low edge of a neap tide cycle. Flat calm and nothing inthe forecast to cause any concern. But there was a reason this partof Vancouver Island was called the Graveyard of the Pacific, andrelying on forecasts was for fools and novices. Barkley Sound wasnotorious for violent squalls and surging swells that came out ofnowhere and sucked you down into the pitiless black depths andnever let go. “You sure you want to do this?” he asked.   Professor Thomas Edgefield, director of Bamfield MarineScience Center, nodded and stood awkwardly with his three airtanks secured to his back—two cylinders and a pony backup.   If ever there was a need for margin of error and built-in redundancy,this was it. He shuffled over to the dive platform at the sternof the boat. Finn checked that his buddy’s hoses were secure andnot liable to get caught on the wreckage as Thom pulled on hisfins. Thom returned the favor, patting Finn on the shoulder whe
  • Iron man: armored adventures
  • Iron Man: My Journey Through Heaven & Hell with Black Sabbath

    April 25, 2015
    Black Sabbath's Master of Reality was the third album I ever bought. I think I was 11 years old. I had somehow developed a liking for rock music, maybe through my dad's penchant for '60s surf-music, I don't know. I had heard about Black Sabbath and was intrigued when I saw the album, I think at a K-mart. I had the money, so I bought it.

    Mom was not terribly pleased.

    But she didn't do anything rash about it. I just knew that if I wanted to listen to it, I had to do so at a low volume on my little red and white candystriped record player. Not that the equipment *could* be played loudly. It couldn't. But I leaned into it and did my best to damage my hearing with that little record player.

    Needless to say, I was blown away. Tony Iommi became a bit of a guitar idol, okay, more like my Guitar God, as a young man plunking away on an old $25 Sears and Roebuck electric P.O.S. I loved the power and simplicity of what Iommi played. There was no need for technical prowess - his guitar simply SEETHED.

    Eventually, I became older, though I never grew up. I remained a Black Sabbath fan, especially after Ronnie James Dio, one of the all-time great singers of any genre, let alone heavy metal, joined the band. I'll admit that their music, Dio-era Black Sabbath, that is, pulled me through some hard times. Rather than driving me toward suicidal thoughts as an admittedly depressed teenager, they drove me away from such thoughts.

    In 2000, Iommi released his first (official) solo album. It was good, not great. I didn't mind. All musicians have up and down albums. After all, they are writers, too. While touring in support of this album, he came up to Madison, not for a concert, but as a guest of the local hard rock station (which has gone downhill in the meantime, I must say), WJJO. There was a call-in-question period in the middle of the day. I took a long lunch break and spoke to one of my childh

    Tony Day

    Ranggawarsita's Prophecy of Mystery

    Moral Order and the Question of Change: Essays on Southeast Asian Thought, edited by David K. Wyatt and Alexander Woodside , 1982

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  • Iron man - season 1
  • Iron man animated series 2010
  • Iron man cartoon 90s
  • Iron Man (TV series)

    American animated television series from 1994–1996

    For the 2009 television series, see Iron Man: Armored Adventures.

    Iron Man, also known as Iron Man: The Animated Series, is an American animated television series based on Marvel Comics' superhero, Iron Man. The series aired from 1994 to 1996 in syndication as part of The Marvel Action Hour, which packaged Iron Man with other animated series based on Marvel properties, the Fantastic Four and The Incredible Hulk, with one half-hour episode from each series airing back-to-back. The show was backed by a toy line that featured many armor variants. Off the heels of the release of the live-action Iron Man film in 2008, reruns began airing on the Jetix block on Toon Disney.

    Although only lasting two seasons, Iron Man was the subject of a major overhaul between seasons when its production studio was changed. The result was a massively changed premise, tone, and general approach, which left the disparate seasons scarcely recognizable as being two halves of the same series.

    First season

    The first season of Iron Man involves Iron Man battling the Mandarin and his minions, who seek to steal his technology. The Mandarin's army consists of Dreadknight, Blizzard, Blacklash, Grey Gargoyle, Whirlwind, Living Laser, MODOK, Fin Fang Foom, Justin Hammer and Hypnotia (original character). Iron Man has a group of allies who are based on Force Works and include Century, War Machine, Scarlet Witch, Hawkeye and Spider Woman.

    The season consisted mostly of episodic, original stories, with the exception of "The Origin of Iron Man". This late-run recounting of the title character's origin is symptomatic of what is generally thought of as the season's greatest weakness – despite the series' large cast of characters, few of them are developed, leaving viewers unaware of their origins and powers. The show is generally held to have been a