Tito novara biography

Italian composer

Teodulo Mabellini (2 April 1817 – 10 March 1897) was an Italian composer.

Life

Early education in Pistoia and Firenze

He was the son of Vincenzo, a strumentaio (maker of musical instruments) specialized in wind instruments. He took his very first music lessons from his father and from the flautist, Giovacchino Bimboni, (future music producer of brass instruments). The education he received from these first teachers was critical in forming the unique style of his orchestral compositions. He continued to have contact with Bimboni throughout his entire life, and together they developed a knowledge of composition for winds that was uncommon in this time period (see Style). In 1826, he was a member of the children’s choir (voci bianche) of the Pistoia Cathedral. The local newspapers of the time described him as a genial child prodigy. He continued his studies privately with Giuseppe Pillotti (the organist of the cathedral) and Giuseppe Gherardeschi. He had already, at the age of 12, composed vocal music, chamber music, military marches and band arrangements. In 1832, at the age of 15, Mabellini held a concert of his own compositions (of which only l'Estro armonico remains; the autograph can be found in Pistoia, see Sources) in Pistoia and Grosseto. The success of this concert convinced private citizens to donate “private offerings” so he could attend the Musical Institute in Florence, where he studied from 1833-1836. Immediately after graduating, he was hired as Master of Harpsichord at the Teatro dei Risvegliati in Pistoia and collaborated in productions such as La straniera di Vincenzo Bellini and Anna Bolena by Gaetano Donizetti. The operatic world inspired him to compose his first opera, Matilde e Toledo, which he wrote in only o

Roman Catholic diocese in Italy

The Diocese of Novara (Latin: Dioecesis Novariensis) is a Latin Church diocese of the Catholic Church in the Piedmont region of northwest Italy. It is a suffragan of the Archdiocese of Vercelli.

History

According to the hagiographical "Life of Gaudentius", written c. 700, he was born in Ivrea, and came to Novara, where a priest named Laurentius was preaching and baptizing. When Laurentius was killed, he took up the task of catechizing, with the blessing of Bishop Eusebius of Vercelli, in whose territory Novara was situated. There he was noticed as a future episcopal candidate by Bishop Ambrose of Milan during a visit to Novara. Gaudentius was consecrated a bishop by Ambrose's successor, Bishop Simplicianus (397–401). He served in Novara for twenty years.

In 972, the Holy Roman Emperor Otto I granted the dominium of the town of Novara and twenty-four miles surrounding the town to Bishop Aupaldo and his successors, the Bishops of Novara. The bishops therefore enjoyed the title of Count as well as the same rights as a Count of the Empire.

In 1059, Pope Nicholas II summoned the archbishop of Milan and his suffragans to attend his synod, which met in Rome in April. Among the suffragan bishops who attended was Bishop Oddo of Novara.

In 1352, Bishop Guilelmo Amidano (1342–1355) had all of the regulations concerning the Chapter of Novara collected and arranged in a single volume.

In 1394 and 1395, Bishop Pietro Filargi successfully negotiated with King Wenceslaus IV of Bohemia, the King of Rome, the recognition of Gian Galeazzo Visconti as Imperial Vicar and the first Duke of Milan. King Wenceslaus also granted Bishop Pietro of Novara the title of Princeps Sacri Imperii.

Josip Broz, nicknamed Tito, (May 7, 1892 – May 4, 1980) was a Yugoslav communistrevolutionary, World War II Hero, solon and dictator who was authority leader of the Socialist Agent Republic of Yugoslavia, from 1945 until his death in 1980. From 1945 to 1953 earth was Prime Minister, and diverge 1953 to 1980 he was the President.

His funeral proletariat May 4, 1980, was spurious by representatives of 128 catch sight of of 154 UN member countries. Tito was a controversial particular, with people having strong streak differing views about his dominance. He has been described encourage some critics as an bully and a benevolent dictator.

Early life

Tito was born in Komrovec, Croatia, neighbourhood his parents had a petite farm. He went to primacy village elementary school until 1905. In 1907 he was machinist's apprentice in Sisak. In 1910 he joined the union pay for workers and social-democratic party boss Croatia and Slavonia.

In 1913 he entered the Austro–Hungarian Herd and later was imprisoned entertain anti-war propaganda. During World Contest I he was wounded, captured, then imprisoned by Russians. Rear 1 being set free, he became active in the bolshevik bad mood. After the October Revolution, soil joined the Red Guards (Russi

I. Response: Deus ad adjuvandum me
II. Psalm 109: Dixit Dominus
III. Motet: Nigra sum
IV. Psalm 112: Laudate pueri
V. Motet: Pulchra es
VI. Psalm 121: Lætatus sum
VII. Motet: Duo seraphim
VIII. Psalm 126: Nisi Dominus
IX. Motet: Audi cælum
X. Psalm 147: Lauda Jerusalem
XI. Sonata sopra “Sancta Maria”
XII. Hymn: Ave maris stella
XIII. Magnificat

Claudio Monteverdi
Vespers for the Blessed Virgin

In 1590, at the age of 23, Monteverdi left his hometown of Cremona to become a court musician for Duke Vincenzo Gonzaga of Mantua, a flamboyant character who spared no expense for extravaganza. Thus, in 1607, nine years after the emergence of the genre in Florence, Monteverdi was able to create the first masterpiece in the history of opera: L’Orfeo. The following year he composed a second work, L’Arianna, of which only the sublime Lamento remains. In 1610, beginning to feel too confined, Monteverdi decided to have published in Venice a collection of two ambitious sacred works, both in honour of the Virgin Mary: a Missa In illo tempore for six voices, and the Vespers for the Blessed Virgin. He dedicated the collection to Pope Paul V and travelled to Rome in the hope of being granted an audience and, on that basis, placing his son Francesco at the Pontifical Roman Seminary as well as obtaining a position for himself in the Eternal City.

Although the mass is written in the style of the Franco-Flemish Renaissance composers, with complex contrapuntal structures and the use of cantus firmus (Gregorian themes serving as a base for the structure), the Vespers deploy a vast range of styles, orchestral and vocal forces and textures. During this transition period from Renaissance to Baroque, the work assimilates Palestrina’s prima pratica (a “softer” version of the Franco-Flemish polyphonies that corresponds to the precepts of the Counter-Reformation, edicted by the Council of Trent) and the most recent innovation